Handbook of Creative Cities
Show Less

Handbook of Creative Cities

Edited by David Emanuel Andersson, Åke E. Andersson and Charlotta Mellander

With the publication of The Rise of the Creative Class by Richard Florida in 2002, the ‘creative city’ became the new hot topic among urban policymakers, planners and economists. Florida has developed one of three path-breaking theories about the relationship between creative individuals and urban environments. The economist Åke E. Andersson and the psychologist Dean Simonton are the other members of this ‘creative troika’. In the Handbook of Creative Cities, Florida, Andersson and Simonton appear in the same volume for the first time. The expert contributors in this timely Handbook extend their insights with a varied set of theoretical and empirical tools. The diversity of the contributions reflect the multidisciplinary nature of creative city theorizing, which encompasses urban economics, economic geography, social psychology, urban sociology, and urban planning. The stated policy implications are equally diverse, ranging from libertarian to social democratic visions of our shared creative and urban future.
Show Summary Details
You do not have access to this content

Chapter 3: The Creative Class Paradigm

Richard Florida, Charlotta Mellander and Patrick Adler


Richard Florida, Charlotta Mellander and Patrick Adler The Rise of the Creative Class (Florida, 2002a, hereafter Rise) has enjoyed unusual impact both on the practice of economic development and on academic debate. It has been less than a decade since the book was published and it already stands as one of the most referenced texts in economic development and urban sociology. A Google Scholar search in early 2010 showed that 2584 subsequent works had cited it to that point, edging out Jane Jacobs’s (1969) seminal, The Economy of Cities (2403 citations) and Louis Wirth’s (1938) ‘Urbanism as a way of life’ (2433 citations). What accounts for the book’s academic traction and the ensuing debate it generated? First and foremost, Rise was the first work that really synthesized the emerging construct of ‘creativity’, coursing through psychology, economic history and regional science in the kind of straightforward language that practitioners as well as academics could understand. It draws off earlier work by Jane Jacobs (1961) and especially by Åke Andersson (1985) on the role of creativity and of the intersection of people’s creative capacities and place to situate creativity in the context of regional development. Rise also successfully integrated two divergent streams of thinking in urban economics: one which held industry and university location paramount to growth, and a second, more recent stream which focused on the autonomous decisions of human capital or skilled labour. By adopting place as the organizing unit of economic growth, replacing the corporation which played that role...

You are not authenticated to view the full text of this chapter or article.

Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.

Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.

Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.

Further information

or login to access all content.