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Katalin Erdős and Attila Varga
Harvey Goldstein, Verena Radinger-Peer and Sabine Sedlacek
Research universities fill a variety of roles within contemporary society (Goldstein et al., 1995). Arguably the most important role has been providing advanced education to a segment of the population so that they have the requisite know-how to enter the professions. A second has been to generate knowledge through research that leads to scientific progress over time and indirectly often leads to productivity growth in the economy. These have been the traditional missions of research universities since their founding in the late nineteenth century.
Yuzhuo Cai, Po Yang and Anu Lyytinen
The literature on the role of universities in regional innovation systems mainly deals with research universities, for example, with an emphasis on knowledge transfer (Anatan, 2015). This is also the case in the Chinese context (Cai, 2018). In recent years, the importance of non-research universities in regional development and innovation has been increasingly recognized (Taylor et al., 2008). Among a small volume of studies exploring the role of universities of applied science (UASs), or non research universities, in the process of regional innovation, a constant challenge has been that of applying appropriate theoretical or analytical frameworks. Currently, most studies in this field apply theoretical insights originally developed for under standing the relationship between research universities and regional innovation systems. The most commonly used frameworks are, for instance, the Triple Helix model (Etzkowitz, 2008; Etzkowitz and Leydesdorff, 1995, 1997) for analysing the UASs and industry links (Yang et al., 2016), and the ‘five pathways to an entrepreneurial university’ (Clark, 1998) for understanding the organizational responses of UASs to the emerging demands of regional development (Lyytinen, 2011).
Mikaela Backman, Charlie Karlsson and Orsa Kekezi
Serena Rovai and Nicola Bellini
This chapter focuses on the profile of the new generation of Chinese creative entrepreneurs in the fashion and luxury industry and investigates, in an exploratory way, the mix of endogenous factors that support their growth in the specific context of the city of Beijing. Based on a review of the elements characterising the present stage of development of this industry and on the results of interviews of two emerging brands within a concept store hosting them, the authors argue that in the struggle to affirm the positive value of Chinese creativity, this new breed of entrepreneurs is developing a syncretic mix of Chinese, Asian and Western elements rather than proposing a nationalistic rediscovery of Chineseness. A Beijing effect is also visible, giving evidence of the relationship between art and fashion. Finally, their growth and success appears in tune with the government’s domestic and international policy.
Michael Keane, Ying Chen and Wen Wen
China’s cultural and creative industries were, and to some extent remain, predicated on material culture, illustrated by the rollout of hundreds of cultural parks and creative clusters. The emphasis within the 13th Five-year Plan is for a digitally connected China. Associated with this is the concept of collaborative innovation. In this chapter the authors question if collaborative innovation will deliver the scale of benefits that the industrial economy has achieved. Certainly, the emphasis on collaboration, efficiency and knowledge is a different blueprint than the industrial clusters of the previous decade, most of which ended up as real estate projects. The chapter looks at so-called incubators, makerspaces and innovation hubs in Hangzhou and Shenzhen. Noting the presence there of commercial digital companies such as Alibaba and Tencent, the authors look at the potential of these spaces to generate digital disruption, and ultimately innovation.
Roberta Apa, Dina M. Mansour and Silvia Rita Sedita
This chapter explores if creative entrepreneurship in emerging market economies plays a relevant role in the attraction of foreign direct investments (FDI), thus generating the opportunity for economic and social growth. The chapter aims to deepen this important, but still understudied aspect of the economic growth potential of creative industries, using Egypt and the ICT sector as the empirical setting. The analysis of data using the fDi Database and Zephyr on greenfield investments and mergers and acquisitions confirm the relevance of the phenomenon. Moreover, three empirical illustrations allowed the identification of three ideal-types, represented by the three cases selected for the analysis: (1) a start-up that attracted foreign venture capital investments from Silicon Valley (the case of Wuzzuf); (2) a start-up that attracted foreign companies’ investments from Silicon Valley (the case of SysDSoft); (3) a start-up that attracted foreign and local investments from risk capital players (the case of Fawry).
Pedro Costa and Ricardo Venâncio Lopes
The importance of creative activities in urban revitalisation and regeneration processes is well documented, as well as their role in territorial development, with particular attention to specific milieus or ambiances which enhance creativity and cultural liveliness, mostly in the historical or functional centres of urban areas. However, the peripheries of metropolitan areas have been quite neglected in these studies. This chapter analyses the creative dynamics visible in the peripheries of the Lisbon Metropolitan Area, which face deep socio-economic restructuring. Focusing in particular on the case of the Barreiro area, which illustrates the deep transformations and the huge territorial development challenges faced by these peripheral metropolitan zones, the authors analyse some recent creative projects based on the mobilisation of local creative entrepreneurship as the source of new co-production of knowledge, highlighting the importance of the endogenous potential and path trajectory in the nurturing of sustainable long-term dynamics, from a local development point of view.